Visual effects supervisor Chuck Cominsky reveals the time savings secrets behind the production of James Cameron's 3D Titanic documentary. (Digital Cinema June 2003 article by Debra Kaufman)

To create a unique shot that combined two disparate perspectives from two different locations, Bill Viola used the real-time Ultimatte HD to ensure the individual pieces would come together perfectly. (Millimeter February 2002 article by Ellen Wolff.)

Originally the plan was to shoot stuntmen jumping out of helicopters, but the closer the camera got to the parachutists, the more dangerous it became. So Disney filmmakers used Ultimatte software to bring dragons and skydivers together safely. (Film & Video July 2002 article by Debra Kaufman)

A user report published in TV Technology by Kevin Morrison, Senior Technical Project Manager, for ITN news in the UK describing his company?s experience with 3-D virtual sets and the Ultimatte 9 compositing system. ( from Sept. 2002 TV Technology & Production Europe).

A hands on review published in Videography Magazine by David Leathers, ..."If you need to make a lot of quality composites in any of the supported programs, this is going to be the way to go." ( from Nov. 2002 Videography).